Example 2 – Transposition & Consolidation

DETAILS

Service: Transposition & Consolidation

Title: Fire of Commitment

Composer: Jason Shelton

Style: Gospel/Worship

Instrumentation: Lead Sheet (Vocal & Chords)

NOTES

  • Removed piano part
  • Fit onto one page
  • Increased size of chord symbols
  • Consolidated lines to 4 bar phrases
  • Transposed down to more comfortable key for the congregation

 

Example 3 – Consolidation

DETAILS

Service: Consolidation

Title: Remember When the Music

Composer: Harry Chapin

Style: Pop Rock

Instrumentation: Lead Sheet (Vocal & Chords)

NOTES

  • Removed piano part wherever appropriate
  • Reduced pages from 6 to 3 (only one page turn, no need to turn back to first page in performance)
  • Removed guitar chord diagrams
  • Added “additional lyrics” under the applicable notes
  • Added measure numbers and rehearsal marks (A-E) for easier navigation

 

Example 4 – Audition Cut w/ Rehearsal Track

 

Example 5 – Audition Cut

DETAILS

Service: Audition Cut

Title: Cry

Composer: Churchill Kohlman

Style: Musical Theatre

Instrumentation: Piano/Vocal

NOTES

  • Replaced slash notation with fully notated triplets
  • Rewrote dotted-eighth and sixteenth notes more accurately as swung eighth notes
  • Removed background vocals line
  • Re-voiced RH piano chords slightly lower to pull less focus in performance

 

Example 6 – Transcription from Handwritten Notation

DETAILS

Service: Transcription from Handwritten Notation

Title: Time Out of My Mind

Composer: Peter Eldridge

Style: Jazz

Instrumentation: Lead Sheet (Vocal & Chords)

NOTES

  • Improved legibility
  • Added measure numbers for easier navigation
  • Added courtesy accidentals wherever appropriate

(First page only for display)

 

Example 7 – Transcription from Recorded Demonstration

DETAILS

Service: Transcription from Recorded Demonstration

Title: V’ahavta

Composer: Traditional

Style: Traditional Jewish

Instrumentation: Vocal

NOTES

  • Updated notes and rhythms based on demonstration
  • Adjusted time signatures and rhythms (moved stressed syllables to downbeats for easier sight-reading)
  • Reduced pages from 2 to 1
  • Changed lyrics from uppercase to mixed case at client’s request

 

Example 8 – Rehearsal Tracks w/ Microtonal Playback

DETAILS

Service: Rehearsal Tracks

Title: Flatland

Composer: Alex Hills

Style: New Music

Instrumentation: Choral SSAATTBB

NOTES

  • S1/S2 panned left and louder
  • All other parts panned right and softer
  • Microtonal tuning as specified by client
  • Click track for clarity
  • No dynamics, as requested by client
  • Not demonstrating sliding effect between pitches, as requested by client